Some Casual Banter

Lacking any further inspiration I decided to do a casual ask of what people would want me to talk about - not a full blown Reader's Requests, but more of a... Pals Postulate?

I got some good ones.

The first one, though...

See I could have gone my entire life not knowing this existed. And then it was brought to my attention by the birthday boy - happy birthday Chris by the way - and now I have to acknowledge its existence, and so do you.

Thanks, r/crappyoffbrands - I guess.

Random Acts of Kindness :) - See, this is nice. This is real nice. Random acts of kindness are great. When the current state of the world is so cruel - and I am not looking at anyone in particular, but the government doesn't help (pick one, any one) - the kindness of strangers can be that little thing that makes your day. So a challenge for all my readers: be kind to someone you don't know in the next week. In a small way. Just try it. In whatever way you can, given our current pandemic scenario.

One thing that has made you happy (or smile) today. - This image of my villager in Animal Crossing surrounded by ill-gotten wealth.

Self isolation self care - Christ, uh. ...I don't know. ...do the things you need to do, don't be too hard on yourself if you don't or can't. Be kind to yourself. That's the important thing. Try and do something each day that you want to. Don't beat on yourself because of the state of the world. It's not your fault, and it is going to affect your mental state. Specifically if you are tired and lacking a creative spark, that's a trauma response. You can't just "oh well bugger it" your way through that. Be kind to yourself.

Favorite piece(s) of escapist fiction. - I find myself going through and reading comics and books that I already know, at times. Like I'll go back and read Lovecraft or Rising Stars or similar. I like watching movies I am familiar with, too, or chortling through old MST3K episodes. Remember that cheesy movie from the 80s/90s that is awful but that you kind of like? Bang THAT on. I like stuff like Empire Records, or Blues Brothers. Something with good music is a must.

Gardening (my potatos just started sprouting!) - I am AWFUL at gardening, which is probably no end of shame to my mother. Physically incapable of engaging in it for more than two minutes at a time, I don't know my Gardenias from my Chrysanthemums, I could probably keep a cactus alive but that's only fifty fifty... but I'm glad you are having success! Especially with potato - one of my favourite things ever.

Concellation, how to get over con cancellation blues - ...see... I have difficulty with this because I find myself having to cancel so much myself. Have done for years. It sucks. I don't really have an answer for it; not a good one, anyway. In the end I had to dial back my expectations of things I could do, health and budget considering. Though the thing that I would probably comfort myself with, over the current crop of con cancels and event cancels and stuff - I could use the money I was spending on that to, when isolation has been over for a week or so, rent a house for a weekend with the people I was gonna see at Con and have a RIOTOUS party. This shit WILL end, and when it does, it's going to be so sweet.

Having more time on ones hands, but suffering even more lethargy while everyone else seems to be learning new skills or doing fabulous buildy things. - Ah, two fallacies to defeat here. One: Not everyone else is doing fabulous amazing things or learning stuff. Sure, some people are, but a lot of people aren't, and - honestly, some people are just like that. They always have something going on. Two: You aren't a worse person because you aren't doing that shit. Everyone is on low ebb and low energy right now. We as a nation - as a SPECIES - are currently undergoing a combination of anxiety and depression brought on by external factors. As someone that suffers from both of those on a daily basis and has done since for over two decades, not being able to learn Italian when you are afraid for the health of those you care about and crushed by the state of the world isn't a crime, it's normal. Focus on what makes you feel better and helps you cope, not what other people are doing.

Glad it's not just me - See above.

Isolation meme's - I haven't really kept on top of these but I will present a couple below that I liked.

"This Is Us", An Article In The Washington Post - Yeah. Like I read this and just nodded the entire way through. I am very privileged insofar as my mixed race hasn't led to any actual problems in my life, really. But this is just... yeah. Accurate.

Favourite toy lines and when they bringing em back - Gawd. M.A.S.K., Jayce & The Wheeled Warriors, Centurions, Starcom, Transformers - all of those NEED bringing back, aside from Transformers, which only had a lull and never really went away. The current line is frankly amazing compared to G1.

Question people lack of commitment to Sparkle Motion. -

What is it about your 20's that screams, ' itll never happen to me/mine"? - Hate to say it but that isn't a 20s thing, that is a people thing. It's across the entire generational spectrum, even if it is mostly prevalent in your childhood years and bleeds out when you hit your mid-20s (because by then it HAS happened to you or yours). The majority of people fucking about in this current climate of nonsense are certainly old enough to know better. Most of the 20 year olds have been told they are essential and forced to risk their lives with no pay rise or protective equipment. They are keenly aware it may happen to them. They just don't get a choice - it is that or be made homeless and starve.

Isolation.... People who live alone in isolation.... How to cope and not go mental in isolation... - I count myself lucky insofar as I cope with being alone really well - I like my own company. I know other people that aren't so lucky. I don't really know the answer to this, aside from trying to make sure you stay in electronic contact with the people that you can. I know it isn't much, but it's way too easy to slip into not doing that, too, so keep it up. Voice-call people that you know would be okay with talking. Play games with folks. Download Virtual Tabletop, pay cards with folks. That's about all I got... oh, and listen to music literally as much as you can.

Best ways to represent passage of time in movies/series. - Okay, there's a lot of good entries for this one. But for propriety, I am picking Red Dwarf, Season 5, Episode 4...  Quarantine. When Lister is marking up the days on the chart, and turns around, with a fucking great black eye, looking awful. That's all of us right now.

Something light maybe - a list of the cutest baby animals?? The best reasons for day drinking? Ways to show you love someone? Most uplifting music of the last 3 decades? - The cutest baby animal is a Skunk, there is no contest, though raccoons and pigs are close. The best reason for day drinking is the song Never Forget You by the Noisettes. Lots of way to show someone you love them, all sorts of kinds of ways - touches, words, sharing music, gifts, thoughtfulness. All sorts of ways. The most uplifting music of the last 3 decades is a hard one but have some Hozier, because this song is amazing.

Eddie vs Thor - I think that given who asked me this, this is the Eddie vs Thor that you are talking about. But instead I am going to deal with Eddie Brock vs Thor, God Of Thunder. Thor wins that fight because Eddie Brock is a journalist and Thor is the God Of Thunder.

And now a personal statement.

My people. We can get through this. I know it sucks, right now. It does. But we can do this, and there might just be a better place waiting for us afterwards.

If any of you need me, drop me one. I'm here.

...also if any of your friends have patreons or kofi accounts or are selling art, take them up on it. We're all hurting right now.

Yes, that was a cheap plug.

If you'd care to share my blog with your friends, I'd appreciate that! If you'd like to thank me in a fiscal form for entertaining you a little bit, I do have a Patreon right here, but please - no pressure. Thank you for reading, and check my social media to the right to keep in touch.

NaNoWriMo Thoughts - I'm The Bad Guy, Duh

Villains!

Now I bet we have some villain fans in here, right? I know we do. The kind of people that want a plush Scar, or who argue that the Empire did nothing wrong (which I used to do a lot), or who just really, really like Loki.

Now I have talked about villains before, in this blog post over here. In which I talk about my seven favourite villains, actually. Today though, I'm going to talk about the kind that actually features in my NaNoWriMo novel - and some other kinds.

We all want to make the villain memorable, right?

Like who could forget this guy? Who... is ultimately only in this movie like THIS for five minutes and then becomes a big glowing orange eye on top of a tower?

The thing is - you take one look at this dude and you know what he's about. He's just evil. He's a big old nasty bastard and he likes to stab people and hurt people and his goal is to rule everything and so on and so on. And in the books, that gets achieved by a lot of exposition, but you get the impression that he's just absolutely malevolent.

And wants to control everything, because, you know. That's the story Tolkien is telling you. When Aragorn is made king again (spoilers) that's fine, because he kind of didn't want to for most of the story, but now he is king, and everyone is just cool with him being king because he probably won't chop down millions of trees and hyper-industrialise his medieval fantasy realm.

He's fallible, too. Sauron screws up on many occasions. Like he literally gets his ass merked because he didn't think a couple steps ahead and was, basically, arrogant. Of course nothing can escape his sight - his direct-line sight - across a broken and buckled volcanic landscape filled with faults and rocks and basically god's gift to stealth-game mechanics.

Arrogance is key.

You know who else is arrogant as all hell?

That's right, King Grape over here.

He was an asshole but I loved seeing him on screen. Walking around and doing shit and just being fucking evil. I loved watching him fight. I liked hearing him talk. Because he was unequivocally wrong but wouldn't back down on that fact in any way. Even when he gets himself killed - both times - neither time is he sat there going, oh shit, I did the wrong thing. Nah. He just knows his work is over, and he hates it.

He has that fantastic monologue at the beginning of the movie where he talks about failure - where he talks about the moment wherein you know you aren't going to succeed - and then never addresses the possibility ever again. Because he can't conceive of failure. Which in the end proves to be his undoing, because he bum-rushes into a situation that he thinks he can totally dominate and at no point considers retreat, even while doubling down on his absolutely lunatic plan of blapping half the universe (by threatening to blap the entire universe).

Memorable, right? You know what he wants. He establishes himself early. He's relevant to now because there's actual people espousing genocidal views gently while saying that it is logically speaking the best thing to do. Just like how in Tolkien's day there were plenty of men swaggering about demanding total control over everything, regardless of who it might benefit.

Who is this?

You would be forgiven for not knowing. She is from Bright. Her name is Leilah. She wants... uh...

...yeah I can't remember. I think she does magic or something. But if you didn't know I could make up any number of stories about how she's from the Blade TV series, or that she's a character from True Blood, or something.

The thing is, she's also a part of the story that Bright was trying to tell. I hated it, but it had a story, and it kinda told it. And she was part of it - and she was (as I recall) part of the Elves Are Actually Evil sub-genre, which is one of my favourites.

My NaNo story, the one I am writing, is about three things primarily.

1. Working out who you really are is important, and sometimes requires changes in your life.
2. Sometimes people will try and control you. Don't let them.
3. Capitalism ruins everything cool and empowers monsters.

That requires another, quite specific kind of villain.

That's right. BURKE CARTER J BABY

Or at least... he is similar to my antagonist in several ways. Specifically, with the arrogance - knowing full well that he won't get caught, even up to the point that he does get caught. Even when he has a gun stuck in his face, and is being told that he's going to be executed, he's unapologetic - he's just spinning words to get people to not shoot him. Because he can still get away with this. He can still have traded all 157 of those colonists away for a huge, huge profit, and handing the biggest bioweapon ever over to Weyland-Yutani.

Because in a system wherein acquisition of power is directly connected to acquisition of wealth, and in a culture wherein possession of power is as much a part of ensuring that others don't have power over you as it is about having power over others - shit is encouraged.

If Burke had more influence, more power, then he would probably have gotten away with it. He'd have had more resources brought to bear, could move more subtly. Would have more pawns to sacrifice.

He's established from the very beginning, is present throughout. That's important, too. He becomes a presence. Even if he's only in the background, he's there, and he is inherently connected to events.

The antagonist in my book is a lot like Burke, in a few ways; but there's some ways in which he differs. The primary one is power. Another - Burke can come across as kind of likeable if you've never seen the movie before, but there's no way you like my antagonist. There's just... not much you can do about it, because he doesn't have to justify his actions to anyone. He just does what he wants and nobody can really tell him no.

That's where the arrogance comes from.

Nobody's ever told him he is wrong. What he says, goes - and he has a literal fortune and an entire market to back him up on it. So of course, his opinions are cast iron facts, and not opinions. Which can be kind of dangerous, when those opinions are things like:

"People don't change. They think they do. They want to believe they do. They do not. They remain who they are, be that for good or ill. That is who they are. That is who all of us are…"

And especially when your fortune comes from a company whose job it is to prevent poor people from living in a post-scarcity society.

Villains.

(Also if this guy had an actor I think it would be a great role for Jeff Bridges.)

If you'd care to share my blog with your friends, I'd appreciate that! If you'd like to thank me in a fiscal form for entertaining you a little bit, I do have a Patreon right here, but please - no pressure. Thank you for reading, and check my social media to the right to keep in touch.

And The Pearl Became The World

The title of this blog comes from a Jonathan Coulton song, called Always The Moon, which you can listen to right here.

I think we can all agree that, whatever we think of Lord Of The Rings, Tolkien did a pretty admirable job in terms of world creation. (I also think it's the law that whenever you talk about world creation, you have to mention him. At least once.)

I mean - yes, it does end up being kinda racist, and it's got elements that are pretty problematic, but just as we find the flaws in it, we also have to accept that it had depth that was beyond a lot of its contemporaries. It helped to spawn entire genres and subgenres, and prompted a metric ton of tropes - not all of them great, but hey, we're talking volume rather than quality - that survive to this day, mostly unquestioned.

Without it, the world of RPGs that we live in today - wherein there are multiple super-popular D&D-related streams and youtube channels, and RPGs themselves have a far deeper cultural penetration - would have been very different, even if Gary Gygax himself went on record as not being terribly impressed with Tolkien's work. (I personally agree with him.)

So when I do my own work - writing, preparing for RPG campaigns which I am running - I feel like I have to do a reasonable job in putting together the world, unless it's already been made for me.

Everyone does this part differently. I'm sure there's lots of different approaches, some of which I would find utterly perplexing, some of which I would find absolutely fascinating. Several of the books I have on writing talk about world building, and they address it in several different ways.

My methodology is a little more slapdash.

Gareth L Powell, in his book About Writing, addresses one of the questions that people who write get asked all the time:

Where do you get your ideas from?

Short of having several funny responses (Neil Gaiman used to trot out "I get them from the little ideas shop in Bognor Regis"), the real response is: everywhere. You get ideas from everywhere. From experiences you've had, thoughts you've had in passing, a scene that plays out in your head from a song, a turn of phrase, a feeling you want to evoke. The most important thing is, you don't start with just one idea. You collate the ideas, clump them together, and form something out of the mass that is more than the sum of its parts.

Like a pearl.

That's why it's a good idea to collect as many ideas and notions as you possibly can. Write it down. You never know when it will come in useful.

For example. A setting I put together for several Pathfinder games I ran included a bunch of ideas and notions that had occurred to me over the space of years. One village was basically a smashing-together of the home village in Monster Hunter 3 and all the parts of Lilo & Stitch that I really liked, splashed with some heavy inspiration from Nation by the great Sir Terry Pratchett.. Another came about from an idea I had when I was reading the Pathfinder core book and wondered: what if there was a city, dedicated to the god of cities? In its centre was a statue that I rescued from a writing project I started (and never finished) back in 2002, a huge angelic figure with a pair of swords - one pointed at the courthouse, another at the library, the two most important parts of the city.

Having imagery like that is important. Even in a simply descriptive narrative, if I describe that statue to the people who played in that game, they'd probably be able to remember the city of Kayde. Likewise, if I describe the people with the tattoos that glow in firelight and the harpoons they craft while singing to themselves, they'd think about Haku, the village of leviathan hunters.

There's another direction to approach this from, though. The content of your world can inspire moments - can inspire situations. Sometimes it goes the other way. Sometimes situations inspire the world and the content in it. Sometimes there is something you need to have happen, a scene that plays out in your head or a few lines of dialogue that you need to use, and it is then on you to make the world a place that supports that happening.

My current writing project involves mecha.

This picture is the life-size Gundam statue that was outside of Diver City in Tokyo. The chap looking up at it in the foreground gives you a good idea of scale. It's a big machine.

Mine are, too. At least, they are going to be. The Gundam RX-78-2 here (aka the Grandpa Gundam) is 18.5 meters tall, that's just over sixty feet in old money. Mine are slightly shorter - fifteen meters as an average. Still, I require that sense of scale to be impressed upon people. I need there to be several scenes in which mechs and people work together, or at least, close to each other - just to demonstrate the difference. So that when I describe the main character feeling like some kind of goddess every time she plugs into her mech, one understands what I am talking about.

After all, it requires creating a world in which mecha exist in the first place, right?

A scene I envisage involves the main character defending a group of civilians. A group that know who she is, and who are rooting for her every step of the way. Someone - I don't know who - yelling at her from the ground to get up, to get back into the fight. (This scene flew together after listening to this song by Against The Current and watching this scene from Spider-Man Homecoming, by the way.) I need to make my setting work, so that they can know her name, they can know who she is and who she is fighting against, and the fight can be brought to an area that this can happen.

That necessitates a setting in which militarism exists, in which a society can know of war and know it happens. It necessitates a specific culture around mech piloting, around pilot elitism, and it requires specifics within the war that might lead to people seeing more than just a soldier in a cockpit - maybe instead of just a soldier, they see a saviour.

Setting details can lend a lot of credence to your particular flavour of military scifi.

After all, we all know who this guy is.

My work will pop up sometimes on my Patreon, and on my DeviantArt account. If you're interested in this current project, we can totally talk about it.

If you'd care to share my blog with your friends, I'd appreciate that! If you'd like to thank me in a fiscal form for entertaining you a little bit, I do have a Patreon right here, but please - no pressure. Thank you for reading, and check my social media to the right to keep in touch.

Why Would They Do That?

I think that one of the key parts of fiction - and perhaps of life - is understanding motivation.

Part of enjoying a character is understanding them, grasping who they are - and following that, understanding why. Inigo Montoya, as demonstrated above, has who he is writ on his sleeve from the get-go. You learn more about him later, obviously. More depth is revealed. The important thing, though, is you know why he is doing what he is doing.

And a strong driving motivation is good. Right? Like, it helps a character move in life. It's hard for them to be dynamic and proactive if their main goal in life is Like Whatever. Why are you here, pal? Why are you doing what you are doing? Why should we care about you?

Consistency is important here, too. Like, if a character is going to have to change what they want or what they are doing, it should be for a good reason. The story should show you that. There should be little doubt - and if a change is sudden, it doesn't hurt to acknowledge the fact.

You know a movie that has a bunch of characters with easy-to-understand motivations that absolutely rocks?

John Wick.

Great film. If you can get past the, uh, reason why he is motivated to absolutely fucking end Alfie Allen's entire fucking existence. But once that happens, you totally grasp WHY he wants to murder the eternal shit out of Theon Greyjoy. In fact you are practically begging for it to happen, because Alfie Greyjoy is such a scumbag that I'm fairly convinced he'd run as a local UKIP candidate (OH SHIT POLITICS KLAXON).

You kind of understand why everyone does what they're doing, in this movie. Iosef (Alfie FUCKING Allen) is the exact kind of weak-ass pathetic shitweasel that would absolutely steal a mans car and do, uh, what he does, just because that guy stood up to him. His father Viggo is a Russian mob boss, torn between survival and familial duty. There's precious few moments where you are left confused.

That's just good writing. Combine that with the absurdly beautiful cinematography, the fight choreography that redefines an entire genre, the soundtrack oh god the soundtrack and one of the best performances ever put in by Keanu Criminally-Undervalued-As-An-Actual-Actor Reeves amongst others, and it makes John Wick one hell of a film.

...sorry, I got distracted.

Anyhow, it is part of - as best I can tell - why people feel Gang of Throne ended so poorly. The consistency. Or lack therein. A bunch of complicated characters with conflicting agendas all of a sudden forgetting several key parts of their motivation and how they feel about, well, anything. If only there was a character who could use some kind of mind control to manipulate how people acted, a thing that could be used to justify the personality transplants that several Thronefolks seem to undertake...

Okay, okay. Settle down, Kellogg's All Bran.

All this is about writing, of course. It's about making your characters either easy to understand, or making them compelling enough to stick around and find out why they are the way they are. If someone just shows up, and we have no idea why, and we have no reason to care - well, why? In fact, sometimes the only thing you need about a character is their motivation. We didn't know anything about what the Winter Soldier was, or who. All we got was how he locked, the music that played when he showed up, and the fact that he is 100% here to FUCK UP YOUR DAY.

This movie, dude.

All of this said... what is scarier than being totally lost on someone's motivations in real life?

Like, that's the thing, isn't it? Not knowing why someone does what they are doing? Why mass murderers mass murder, why war criminals think it's okay to use white phosphorous, why that guy at the bus stop says racist shit to the nice lady waiting for the next bus? Why anyone would put toilet paper on the roll the wrong way? (You know what I am talking about.)

Why would someone gleefully strike down equality legislation, make people's lives objectively worse, deport people that have every right to live here, make an environment hostile to people who are literally allowed to live here, and simply shrug over literal deaths on her watch...

...and then only cry when she announces her resignation?

Sometimes it isn't even that we don't understand a motivation. Sometimes we understand it just fine - and we hate it.

It's just easier in fiction.

If you'd care to share my blog with your friends, I'd appreciate that! If you'd like to thank me in a fiscal form for entertaining you a little bit, I do have a Patreon right here, but please - no pressure. Thank you for reading, and check my social media to the right to keep in touch.