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Showing posts with label motivation. Show all posts
Showing posts with label motivation. Show all posts

Sunday, 17 November 2019

NaNoWriMo Thoughts - Defined

A surprisingly layered question:

Who Am I?


What's meant by this isn't the amnesiac question - no, we don't assume that the person we are asking this of has forgotten their actual identity. Not like John Murdoch here, from Dark City - a vastly underrated movie, and one that provides a surprisingly textured answer to that specific question.

Nor are we - necessarily - asking this in the rhetorical sense to imply that someone has done something that is usually quite out of character for them. Something Sam might ask Frodo when he clearly starts going off the rails in the Two Towers, trusting "definitely not gonna choke you in your sleep" Gollum rather than "actually the hero of this book" Sam.

For the context of this - how I am using it in my NaNo this year - this is all about the main character looking into himself to find out what makes him who he is. To try and work out what traits in there are his own, what has been put in by someone else - to ascertain his own character, after having been given enough breathing room to do so.

The difficulty he finds is that it is hard to just stand there, or sit, or whatever, and look at yourself, and go: huh, this is me. Yeah, okay. Cool.

You only tend to find that sort of thing out through exposure to stimulus, through being tested - stress tested perhaps. You don't know the strength of the steel until you find out how much force bends it, so on, so forth. All those old adages that bolt onto the notion of suffering building character.

It's a good way to show your readers what kind of a person the character is, though. I mean...


None of us can claim to not know who Steve Rogers is at heart. After all - he can do this all day.

People want to be able to define themselves. They want to be able to gesture at a part of their lives and say, unequivocally and without reservation: this is who I am. They want the security of that, to know that whatever else they can't control, this is an aspect of them that is true.

(I know, talking about insecurity again, one might think I have a complex.)

A trap that a lot of stories can fall into is that the Who is shown, not by what the character does, but by what is done TO the character. A lack of agency. Being swept along by whatever is actually happening, until arriving at a point dictated by the narrative. Young Adult fiction has a mostly undeserved reputation for doing this - quite a vilified bracket of books there, given that I've seen more literary worth in those pages than I have in any book by Ian McEwan I've ever read.

So the individual - the character - feeling that they lack something... feeling that they have for too long been in an environment where they can't be themselves, but not necessarily knowing who they themselves ARE because of that... should probably try and find that aspect of themselves. And perhaps they will stumble upon it by accident - and sometimes they will think they know, and be proven wrong.

But for all those people who can't just... act, can't just define who they are by their actions... surely our characters can. Surely they can take that step, out of the shadow they were living under, and into a better world in which they are solidly defined.


That can look different for different people, obviously.

My main character is starting to recognise just how cloying and smothering his past life was - living in the shadow of an egocentric narcissist of a father - and is currently struggling to work out the kind of person he is. He'll find out though. Sooner rather than later.

(If you want an insight into the world I am writing in, my friends are playing part of an RPG campaign that I am running. I'm typing up each session for the enjoyment of the outside world. You can find it here. Eclipse Phase - Before The Devil Knows You're Dead.)

If you'd care to share my blog with your friends, I'd appreciate that! If you'd like to thank me in a fiscal form for entertaining you a little bit, I do have a Patreon right here, but please - no pressure. Thank you for reading, and check my social media to the right to keep in touch.

Sunday, 26 May 2019

Why Would They Do That?

I think that one of the key parts of fiction - and perhaps of life - is understanding motivation.


Part of enjoying a character is understanding them, grasping who they are - and following that, understanding why. Inigo Montoya, as demonstrated above, has who he is writ on his sleeve from the get-go. You learn more about him later, obviously. More depth is revealed. The important thing, though, is you know why he is doing what he is doing.

And a strong driving motivation is good. Right? Like, it helps a character move in life. It's hard for them to be dynamic and proactive if their main goal in life is Like Whatever. Why are you here, pal? Why are you doing what you are doing? Why should we care about you?

Consistency is important here, too. Like, if a character is going to have to change what they want or what they are doing, it should be for a good reason. The story should show you that. There should be little doubt - and if a change is sudden, it doesn't hurt to acknowledge the fact.

You know a movie that has a bunch of characters with easy-to-understand motivations that absolutely rocks?

John Wick.


Great film. If you can get past the, uh, reason why he is motivated to absolutely fucking end Alfie Allen's entire fucking existence. But once that happens, you totally grasp WHY he wants to murder the eternal shit out of Theon Greyjoy. In fact you are practically begging for it to happen, because Alfie Greyjoy is such a scumbag that I'm fairly convinced he'd run as a local UKIP candidate (OH SHIT POLITICS KLAXON).

You kind of understand why everyone does what they're doing, in this movie. Iosef (Alfie FUCKING Allen) is the exact kind of weak-ass pathetic shitweasel that would absolutely steal a mans car and do, uh, what he does, just because that guy stood up to him. His father Viggo is a Russian mob boss, torn between survival and familial duty. There's precious few moments where you are left confused.

That's just good writing. Combine that with the absurdly beautiful cinematography, the fight choreography that redefines an entire genre, the soundtrack oh god the soundtrack and one of the best performances ever put in by Keanu Criminally-Undervalued-As-An-Actual-Actor Reeves amongst others, and it makes John Wick one hell of a film.

...sorry, I got distracted.

Anyhow, it is part of - as best I can tell - why people feel Gang of Throne ended so poorly. The consistency. Or lack therein. A bunch of complicated characters with conflicting agendas all of a sudden forgetting several key parts of their motivation and how they feel about, well, anything. If only there was a character who could use some kind of mind control to manipulate how people acted, a thing that could be used to justify the personality transplants that several Thronefolks seem to undertake...


Okay, okay. Settle down, Kellogg's All Bran.

All this is about writing, of course. It's about making your characters either easy to understand, or making them compelling enough to stick around and find out why they are the way they are. If someone just shows up, and we have no idea why, and we have no reason to care - well, why? In fact, sometimes the only thing you need about a character is their motivation. We didn't know anything about what the Winter Soldier was, or who. All we got was how he locked, the music that played when he showed up, and the fact that he is 100% here to FUCK UP YOUR DAY.


This movie, dude.

All of this said... what is scarier than being totally lost on someone's motivations in real life?

Like, that's the thing, isn't it? Not knowing why someone does what they are doing? Why mass murderers mass murder, why war criminals think it's okay to use white phosphorous, why that guy at the bus stop says racist shit to the nice lady waiting for the next bus? Why anyone would put toilet paper on the roll the wrong way? (You know what I am talking about.)

Why would someone gleefully strike down equality legislation, make people's lives objectively worse, deport people that have every right to live here, make an environment hostile to people who are literally allowed to live here, and simply shrug over literal deaths on her watch...

...and then only cry when she announces her resignation?


Sometimes it isn't even that we don't understand a motivation. Sometimes we understand it just fine - and we hate it.

It's just easier in fiction.

If you'd care to share my blog with your friends, I'd appreciate that! If you'd like to thank me in a fiscal form for entertaining you a little bit, I do have a Patreon right here, but please - no pressure. Thank you for reading, and check my social media to the right to keep in touch.